I totally missed this: Portland's Tugboat Press has apparently pulled the plug on its anthology Papercutter, a title I liked very much. There had been rumors of its demise for... I'm thinking about 18 months now, a really long time, but this looks like official word. In fact, checking out the Tugboat Press site indicates that this was posted back on January 1, which makes it really discouraging that I hadn't seen it before now. My apology to those nice folks for not covering that news in a more effective, timely fashion.I liked several things about Papercutter. I thought it had the usual anthology strengths in that it was a high-quality effort, it seemed to have a role specific to a group of cartoonists out there that benefited from the exposure, and there were some pretty good comics in there along the way. My favorite in the run -- and I've mentioned this a few times -- was a funny and inventive Matt Wiegle comic called "The Orphan Baiter" that appeared in the issue whose cover image appears in the post. I really liked that comic, and wish more people saw it, although I'm worried now that someone might come to it with a chip on their shoulder rather than just being as pleasantly surprised as I was coming to it cold. I really liked the look and feel of the comic, too; it had that "Black Eye" mid-1990s, slightly smaller but higher-quality feel to it that I wish would become a bigger home for comics efforts. This won't help, I imagine. At the same time, none of these things last forever, as much as we pretend this is so in comics, so I'm grateful for the issues we received. Congratulations to all the artists involved and to Tugboat on the run.